Counterforces and Other Little Jokes

I’ve just come from jurying the First Southern Open Biennial at the Acadiana Center for the Arts in Lafayette, Louisiana. The experience rem...

“is art the joke or the punchline?” Thus does Jess Snyder complete his artist's journey round the room, making art under the names of th...

Lux in Tenebris: Paintings and Installation by Michele Schuff Omnia quae sunt, lumina sunt. —Scotus Erigena as quoted by Ezra Pound …add ...

Politically it's okay to hate hate. Loving love is not quite so unquestioned, however. We have just had a censorship controversy at Atla...

“The Composite Artist,” Salman Rushdie’s Indian Studies lecture as writer in residence at Emory Univrsity, was a distinctly Rushdiean art hi...

Visiting the opening of a show of two Australian artists at the Seen Gallery in Decatur (that’s in metro Atlanta, Georgia, for global web su...

The ambiguities of small places invaded by History continue to amaze me. I cherish the ironic pieces produced by Trio Sarajevo during the si...