Monday, November 13, 2017

We Know in Part or Not at All: A Review Essay Based on "Knowing and Not Knowing" (Beth Lilly retrospective at Swan Coach House Gallery) and "Medium" (Zuckerman Museum of Art)

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Several writers have suggested that today’s America is trapped in an “epistemic crisis.” What the writers mean is that America is divided i...
Saturday, July 8, 2017

a provisional, belated review of Kirstin Mitchell, "Midnight at the Oasis," Hathaway Contemporary, Atlanta GA

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Hegel famously wrote regarding philosophical reflection, “When philosophy paints its gray in gray, then has a form of life grown old. Philo...
Saturday, December 5, 2015

The Age of Earthquakes: In Lieu of a Review

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The Age of Earthquakes: A Guide to the Extreme Present slipped into the global dialogue nearly a year ago now without much notice, in spite...
Friday, May 15, 2015

another note on global and local biennales

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Some years ago, I staged a two-artist biennale that existed only in the form of catalogue documentation of an event that never took place, t...
Wednesday, May 6, 2015

"And all directions I come to you": not a review of a preview, please

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Wild Beast Zero: Some Reflections (Perhaps in a Funhouse Mirror; That, I Know Not) on an Encounter in a Preview of glo’s “And all direction...
Thursday, April 9, 2015

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My manifesto regarding art reviewing landed with a predictable dull thud, garnering a tenth of the response from the Facebook link than the ...
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Sunday, March 29, 2015

Art Reviewing, Art Criticism, and the Dissemination of Art Information

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Art Reviewing, Art Criticism, and Crowdsourcing I have recently had a conversation about “good bad art” and “bad good art,” by which I me...
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