Counterforces and Other Little Jokes
Monday, April 13, 2020
What one does while waiting out a pandemic: a note meant to be more provocative than it appears
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I wrote this as a friends-only post for Facebook, the method I typically use to address a large but quite specific audience. Circumstances...
Tuesday, March 31, 2020
A Prolegomenon to Any Future Art Criticism, with Apologies to Readers for the Allusion to Immanuel Kant
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Olafur Eliasson’s “I Grew Up in Solitude and Silence” is a simple work of art that, like so many simple works of art, reveals more about t...
Thursday, March 7, 2019
Beat Generation anniversaries and autobiographical reflections
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. These vintage photographs of City Lights Bookshop, Grace Cathedral (both in San Francisco) and the house in which Jack Kerouac died are ...
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Friday, March 1, 2019
A prolegomenon to any future review of Benjamin Britton's "Desire, broadly," at Marcia Wood Gallery, Feb. 6 - March 2, 2019
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Sometimes the three-week limit imposed by gallery schedules results in remarkable injustices. Benjamin Britton’s “Desire, broadly,” which c...
Monday, November 13, 2017
We Know in Part or Not at All: A Review Essay Based on "Knowing and Not Knowing" (Beth Lilly retrospective at Swan Coach House Gallery) and "Medium" (Zuckerman Museum of Art)
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Several writers have suggested that today’s America is trapped in an “epistemic crisis.” What the writers mean is that America is divided i...
Saturday, July 8, 2017
a provisional, belated review of Kirstin Mitchell, "Midnight at the Oasis," Hathaway Contemporary, Atlanta GA
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Hegel famously wrote regarding philosophical reflection, “When philosophy paints its gray in gray, then has a form of life grown old. Philo...
Saturday, December 5, 2015
The Age of Earthquakes: In Lieu of a Review
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The Age of Earthquakes: A Guide to the Extreme Present slipped into the global dialogue nearly a year ago now without much notice, in spite...
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